WORKING HANDS: Wyatt Conlon

As a stationery brand, we are always curious how and what people use our stationery goods for. With this blog series, focusing on the hands at "work" and beyond, we ask five questions about the usage and meaning of the stationery tools to our friends in Los Angeles.


For our fifteenth post, we visited a LA based artist, Wyatt Conlon at his Chinatown studio.  

Wyatt Conlon, seen from behind in a cap, reaching up toward a cluttered studio shelf beside a red safety vest on the wall. 

 

Q1. What do you do with Dermatograph colored pencils? 

For marking up those contact sheets. Also for keeping a record on films.



Hands marking a page of film contact sheet images with a red dermatograph pencil.Wyatt Conlon in a cap writing with a red pencil on a contact sheet at a cluttered wooden studio desk.Fridge door covered in red dermatograph pencil tallies of film counts, with a small calendar magnet and trailing pothos vine.
Wyatt keeps a record of his fridge film count with the dermatograph pencil.



Open fridge shelves packed with boxed film rolls, canisters and drinks, with a hand reaching for a can on top.



Q2. In our technology driven world, what does it mean to make things by your hand to you? 



Technology can be useful but is a slippery slope. The next this, the next that, blahh. I like cutting my own garlic, I like coincidences. Technology can't cut garlic like I can, technology is not coincidental. 

Red booklet by Wyatt Naoki Conlon beside printed proof sheets on a black cutting mat with a metal ruler.
Yellow tray on a sunlit windowsill holding a burning incense stick, a bundle of incense and small objects.

Wyatt uses the penco Melamine Tray in small for his incense tray. The incense holder is from Mainichi Koh & the incense is the most natural incense you could find - Baba Suishaba's cedar incense.

 

 

Q3. Pencils or Mechanical Pencils? 


Pencils! If you sharpen it fast enough you get to smell the slightly burning pencil shavings.


Upright wooden piano with open sheet music on the stand, a metal mug, lightbox and stacked papers on top.Close-up of a worn wooden piano cabinet with the gold lettering "J. Olds & Co." and scratched varnish.

A piano Wyatt acquired from the house in West Adams where his grandparents met (complicated but worth it story) in his studio. He attempts to play it in the morning.

 

 Q4. What’s in your pen case, if you don't use a pen case, how do you organize and store your stationeries? 



Yoiko no Odogubako, LION Double Zipper Pen Case! Fits my external HD, works for cord management and all my pen/pencil needs.

 

Yellow zippered pouch printed with a red lion character, resting on an orange-cased device on a wooden desk.Close-up of a yellow canvas roll pen case holding several pens with metal clips, on a light wood surface.

* Available only at our DTLA store location. 


Q5. What is your most favorite stationery? 

 

Muji Unruled Japanese Paperback! Been using them since 2015 and bought 20 so I didn't have to change, still got 13 left. 


A hand holds printed sheets of line-drawn storyboard frames above a wooden desk with a pencil and camera strap.
Wyatt's "storyboard" notes – he painstakingly manipulated the original storyboards from 1988 animated film, Akira.  

Small vintage alarm clock with a cream case sitting on a shelf beside a row of upright books and magazines.
Wyatt's grandfather's clock which is in his recent book, Double Double, Protein Style, Animal Style with a Strawberry Shake and Chips

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Wyatt Conlon is an image-based artist who uses found and taken sources of imagery to analyze his ancestral history, collective memory and the act of retrospection. He is one of three members of The Fulcrum Press, an independent publisher and contemporary gallery based in Los Angeles, California exploring the interplay between photography and other media.

Conlon's most recent book, Double Double, Protein Style, Animal Style with a Strawberry Shake and Chips, weaves multiple timelines, from the minutes of his grandfather’s waking hours to a photographic archive of his entire life, allowing the viewer to observe and control the subject's passing time. Through systematic collaging, Conlon creates instantaneous moments of then and now and compositions of coincidences that capture life's intimacies. Ultimately, questioning the truth of one's memory and act of recollection.

https://wyattconlon.com/

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